the previous poem "Roses Today" came to me as i rode past Denvers botanical gardens the other day. as i rode by, the wafting aroma converted into word, then prose. i posted this last night. today, i took with me to work the Collected Works of William Carlos Williams where i came upon a page, well worn and highlights with notes named: The Rose. Its been so long since i have read from this book and yet, the eloquent wording used by this amazing poet has left its rut in my creative mind. many words he used are the very ones i did, in the same fashion. i wont delete mine, but i want to make known its not in any way original.
i was reminded of a conversation with a song/music writer not too long ago. we discussed how difficult it can be when youre trying to create from your own soul with out mimicking your major influences. perhaps this is the artists paradox, the constant fine line thats as hard as a diamond and thin as a hair.
"No poet, no artist of any sort, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists."
- T.S. Elliot
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2 comments:
Well said, Jason. I run across the same problem. One of the author's works which I have memorized into my soul are written by Ruth Bell Graham. In fact, I think I rescued a few of her books of mine from your grasp. :) I've been thinking a lot today of some things she wrote, and I think I'll post one.
By the way, thanks for the encouragement from you and Naomi to keep pressing on with my writing...and making comments. Much needed encouragement. I'm just in a tough spot right now I guess.
Oh, and I figured out how to link photos to my page. I didn't realize how many I had, and I'm not even half done!
Love you. Always your adoring Mom.
"to a solitary disciple" by willy carlos
Rather notice, mon cher,
that the moon is
titled above
the point of the steeple
than that its color
is shell-pink.
Rather observe
that it is early morning
than that the sky
is smooth
as a turquoise.
Rather grasp
how the dark
converging lines
of the steeple
meet at a pinnacle—
perceive how
its little ornament
tries to stop them—
See how it fails!
See how the converging lines
of the hexagonal spire
escape upward—
receding, dividing!
—petals
that guard and contain
the flower!
Observe
how motionless
the eaten moon
lies in the protective lines.
It is true:
in the light colors
of the morning
brown-stone and slate
shine orange and dark blue
But observe
the oppressive weight
of the squat edifice!
Observe
the jasmine lightness
of the moon.
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